
I've been recently fascinated with what would be considered "painterly" in cinema. It has, in fact, become one of my stock questions whenever I converse with a film historian or someone who has a deep embedded knowledge of film. Thomas Elsasesser distinguished between filmic projects where the director and art director collaborate to achieve either a historical drama (via the verisimilitude of historical paintings) and those films that express separate qualities about painting that are "more difficult to locate but [which] may actually have a deeper resonance.""If we're talking about 'paint
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