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GAINSBOURG (VIE HÉROÏQUE)—The Evening Class Interview With Joann Sfar

I first caught Joann Sfar's feature debut Gainsbourg (Vie héroïque) (2010) at the 53rd edition of the San Francisco International Film Festival, where SFFCC colleague Pam Grady wrote in her program notes: "Best known in the United States for 'Je t'aime ... moi non plus,' his racy duet with then-lover Jane Birkin, singer / songwriter Serge Gainsbourg packed a lot of life into 62 years. As much provocateur as artist, he delighted in defying expectations, so it is only appropriate that this offbeat biopic should do the same. In keeping with a subject who rode the waves of the pop charts, comic
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SFFS / New People Cinema Takes Off: Michael Hawley Reports

June 2011 brought the fantastic news that—come September—the San Francisco Film Society (SFFS) would be transforming Japantown's New People Cinema into its very own year-round venue. Well summer's almost over and true to its promise, SFFS has revealed an auspicious line-up of September movies with which to inaugurate this new venture. This is exactly what I was hoping for: week-long runs of acclaimed films with limited distribution that were passed over by the likes of Landmark Theaters, the Roxie, YBCA and others. I'm doubly impressed by the commitment to daily matinee and evening showtim
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FANTASIA 2011—The Evening Class Interview With Mario DeGiglio-Bellemare

Back during the 13th edition of the San Francisco Silent Film Festival, while researching Tod Browning's The Unknown (1927), I chanced upon Mario DeGiglio-Bellemare's provocative essay " 'Even a Man Who is Pure in Heart': Filmic Horror, Popular Religion and the Spectral Underside of History" published in the June 2005 issue of Journal of Religion and Popular Culture and republished in "The Werewolf in Visual Culture" in the Journal of the Imaginary and Fantastic, Vol. 1., No. 1. I was hooked by his theological perspectives on the horror genre. Imagine my delight when Mario noted my upcoming
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