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SFIFF54: KURTISS HARE WRAPS UP FIVE FAVES

Kurtiss Hare and I met in line waiting for films at the 54th edition of the San Francisco International Film Festival (SFIFF54). I checked out his Cinefrisco website and was impressed with his succinct observations on film. I am delighted that he has accepted my invitation to intern for The Evening Class and look forward to his welcome additions to the site. For starters, here are five entries from his SFIFF54 coverage.* * *Werner Herzog’s latest film, Cave of Forgotten Dreams, illuminates the hidden nooks of the Chauvet caves located in the South of France. Etched along the concealed roc
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SFIFF54—Michael Hawley Wrap-Ups Four Special Events

The 54th edition of the San Francisco International Film Festival (SFIFF54) drew to a close on Thursday, May 5, after showcasing 193 films from 48 countries at 265 screenings (134 of which featured special guests). During those 15 jam-packed days I took in 29 films, which will be encapsulated in a future entry. Meanwhile, here's a look back at four memorable SFIFF54 special events I attended. All of them, not surprisingly, transpired inside the city's beloved Castro Theatre.But first let's talk about regrets—yes, I've got a few. I didn't see Oliver Stone get this year's Founder's Directing A
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MOTHERS & MOVIES: The Evening Class Interview With Mom

Back in June 2008 I had the opportunity to interview film historian Matthew Kennedy with regard to his recently-published volume on Joan Blondell. When I asked Matthew how he had become involved in writing film history, he responded: "Well, I can't say I went to school to study film because that wouldn't be true; but, I always loved film as a kid. My Mom loved film and she was a great fan of '30s movies and whatnot, so—if something showed up on TV—I would watch it with her and she would explain, 'Now, that's Humphrey Bogart. He was this person and he married that person.' Through osmosis—
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MOTHERS & MOVIES: THREE SONS

"Mothers of America, let your kids go to the movies! ...It's true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images?"—Frank O'Hara, "Ave Maria" (from Lunch Poems, 1964)During one of my conversations with film historian Matthew Kennedy, I realized that both of us had acquired our love for movies through our mothers, which led me to wonder how many other cinephiles—filmmakers and audience alike—have shared a similar experience? In the past year, I have asked several individuals: "Did your mother have any influence on your cinephilia
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